The Formal Semantics of Free Perception in Pictorial Narratives
نویسندگان
چکیده
This paper semantically analyzes “free perception” sequences in pictorial narratives such as comics, where one panel shows a character looking, and the next panel shows what they see. Pictorial contents are assumed to be viewpoint-centered propositions. A framework for the representation of pictorial narratives is used where indexing and embedding of certain panels is characterized by hidden operators. The resulting enriched pictorial narratives are interpreted in a dynamic framework. A possible worlds construction using action alternatives captures the epistemic effect of perceptual actions. Free perception sequences are implicitly anaphoric, as analyzed using cross-panel indexing. It is argued that some cases of free perception are truly intensional, and must involve embedding in the framework that is employed. Examples are drawn from comics and film.
منابع مشابه
Explaining the Level of Human Thought in the Parallel Civilizations Based on Formal Structure and Visual Imagination Formed in Mythical Narratives
Myth, like any other form of narrative, has an undeniable role in visual imagination based on the foundations of mythical thought. Ernst Cassirer, by recovering the fundamental principles of mythical thought, brings against them to the foundations of contemporary rational thought and defines the fundamental features of mythical thought as compared to modern rational thought. He also believes t...
متن کاملO-20: Commencing in Darkness: Narratives of Iranian Unconsummated Couples about Their Unmet Sexual Educations Needs
Background: The inability to have vaginal intercourse despite several attempts, defined as unconsummated marriage (UCM). It is a problematic worldwide sexual disorder. Lack of sexual knowledge has been shown affected UCM couples, so, we designed a qualitative narrative study to explain how a sample of Iranian unconsummated couples experienced sexuality when they were children and to explore wha...
متن کاملSiyāvosh Iconography: The Material and Pictorial Embodiment of Siyāvosh in Archaeological Evidence from the Eastern Part of Greater Iran
Myths are the human being’s responses to the most fundamental questions he has faced with. As time passes, such narratives would be elaborated, embellished and sometimes even transformed to something different. Myths are narrated and communicated through symbolic devices and parables and are accepted as a part of sacred beliefs in various societies. These mystic narratives throughout history we...
متن کاملAn Investigation of the Linguistic, Paralinguistic and Sociocultural Effects of Input on the Perception and Translation of Gerunds by Persian Speakers of English
In this study, it was intended to investigate the Persian native speakers’ perception of gerunds by three different elicitation techniques i.e., written, audio, and pictorial through translation. Eighty intermediate learners of English were asked to select Persian translation of the gerund formsin these elicitation techniques. They were asked to choose one option from a pair of written first la...
متن کاملStudy of Iconographic Transformation of Pictorial Sample in Images of Merrkh- Bahram in Islamic Era
The study of the image of Merrīkh- Bahram in Islamic era implies both formal and thematic similarities with constellation of Barsavosh and Perseus. The three images illustrate one Man with a bare sword and severed head in his hand. This similarity raises this question that what is the relationship of these images? In other word, which image is the precedent to the later representations? This st...
متن کامل